Buster: Fast Food |
When in
doubt, post the cat
A couple of weeks ago, when the five finalists for the
National Book Award in non-fiction were announced, I found that I had read
three of them, all with interest.
Loving Lucretius for most of my long life, I may have enjoyed Swerve most, and Stephen Greenblatt writes wonderfully
well; seeing a mature scholar give himself so wholeheartedly to my favorite Latin
author gave me great pleasure, and though I had read accounts of the Council of
Constance I had never read one so alive as his. I was so surprised by his chapter on Montaigne that I
decided to get the Essays complete and read him, as I never had done
before. I also pulled out my good
old Budé text of Lucretius and re-read a good deal of it, using the French as I
had done in university when I got stuck, to avoid slowing down too much by
using a dictionary; Lucretius, however, is not so hard as Greenblatt says. Greenblatt was reveling in aspects of
the Renaissance that I have always enjoyed dabbling in, not least Poggio
Bracciolini. Yet I didn’t dare
think he’d win the prize. I was
afraid some readers might think he was proposing that, if the Lucretius manuscripts
hadn’t been discovered just when they could be copied and printed, Reason might not have
prevailed in the way that it did.
I don’t think he meant that, though no man could fall for Lucretius more
whole-hog than Greenblatt does. I
was, however, disappointed that he stopped at the point that he did, and I know
that there still are lots of educated readers whose temperament makes them
assess Lucretius by each and every error (e.g., the size of the sun) that he
made rather than by the power and depth of his inquiry and the glory of his
poetry (Screech’s Penguin Classics Montaigne is almost Thomist in considering
the essayist’s faith, and he certainly does not make much of his references to
Lucretius).
I was surprised that Deborah Baker’s The Convert, which certainly I had read with great interest, was
among the finalists; I thought it insufficiently well structured and was
disconcerted by its relationship to its living subject. In sum, I thought that Mary Gabriel’s Love
and Capital, on Karl and Jenny Marx would
be the winner. I had never read
anything about Marx and his family and Engels that was both serious and treated
them as living persons, persons living in a particular history, too, not merely
domestically. Though works on Marx
and Engels fill libraries (not that I have read very much, for when I was a
student one did not want to be noticed reading about the founders of Communism,
and I don’t like ideologies of any kind very much, especially not when they’re
argued as political science is), I think that Mary Gabriel has done an outstanding
piece of work in this biography, and I thought it was the best balanced and
most complete and likely to endure of the three finalists I had read. I cannot overstate how much I have learned by reading Mary
Gabriel. I thought Greenblatt
would get torn limb from limb, though his vulnerability, which almost asks for
attacks, is no excuse for failing to read him, as one would read any poet, I
hope, for what he offers, which is important if not exclusively so, and for the self-portrait, if I may say so, that his
book provides. I mean, we don’t
attack poets, do we, for laying themselves bare? But evidently the committee saw it my way; usually I am at
odds with committees. Stephen Greenblatt did win.
And then there is my fascination with theoretical physics
and with astronomy. Not wishing to
confine myself to Brian Greene’s books or rely too much on the perhaps too
lively video assistance of the NOVA programs (the books are really clearer, if
you want to try to learn so far as a lamentable lack of mathematics permits, by
reading and thinking over and over), I have tried and tried to get through Lisa
Randall’s Knocking on Heaven’s Door, and
I just can’t. She explains indefatigably, as if for the very stupid and stubborn, what I don’t need to have
explained, and she does not explain at all some things at the very heart of her
work at CERN, for example, that I do need help with. And her writing has all the worst characteristics of, say, Scientific
American articles, only aggravated by
efforts to entertain by talking about her encounters with popular culture. I was prepared to like her book, from
an interview that I saw, but I can’t.
Never mind. I
see that the difficulty of explaining Branes and Dimensions and the rest is due
to human verbal language being created by and for our empirical, sensory
experiences in Newtonian space and time.
I have to try to think my way through concepts that are, literally,
ineffable. Likewise, my brain’s
ability to envisage needs not to be worried by a video that looks as if a
here-and-now figure or object or event were visibly here-and-now elsewhere or
otherwhen, too. And I probably
cannot ask for a resolution of exceeding the speed of light as recorded by
instrumentation made by and in terms of a Newtonian (or Einsteinian)
model. It suffices to keep reading
and thinking about it all. History
is full of funny language, as funny as black energy. Someday it may be possible to name better what is being
learned (it always has been possible).
After all, the only thing is that I want to know that everything,
including parallel universes and other oxymorons, has no beginning and no
end—and what it has, instead. I
mean, some enigmas are for Six Year Olds:
Elizabeth Ann said to her Nan: “Please, will you tell me how
God began? Somebody must have made Him. So who could it be, ‘cos I want to know?”
A.
A. Milne, Now We Are Six, “Explained”,
pp. 76–78.
Greenblatt in collusion with the publishers NYRB is in the process of committing the ultimate crime against Sir Thomas Browne in my opinion, of publishing 'Urn-Burial' WITHOUT Cyrus. Perpetuating a publishing error in my view makes me query both publisher and editor's integrity. O well nice to realise my cultural heritage continues to be misrepresented.
ReplyDeleteHow old is Buster ? Perhaps you can develop some kind of fan-club following of his life !
ReplyDeleteBuster was nearly full grown when, in January of 2001, he began eating on my side porch, so I guess he was a Spring, 2000 kitten. So he's going on twelve and, as you see, rather fat, though also large boned. If you go to my Picasa albums, you'll find LOTS of cats, B. included.
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